{"id":4813,"date":"2022-11-28T13:50:12","date_gmt":"2022-11-28T18:50:12","guid":{"rendered":"https:\/\/academics.design.ncsu.edu\/yesand\/?p=4813"},"modified":"2022-11-28T13:55:35","modified_gmt":"2022-11-28T18:55:35","slug":"speculative-change","status":"publish","type":"post","link":"https:\/\/academics.design.ncsu.edu\/yesand\/2022\/11\/28\/speculative-change\/","title":{"rendered":"Speculative Change"},"content":{"rendered":"<p><strong>1.\u00a0<\/strong><a href=\"https:\/\/href.li\/?https:\/\/drive.google.com\/file\/d\/1A_bn5-wKq95yrmR5YRa4Oqx4WezIVT2Y\/view?usp=sharing\" target=\"_blank\" rel=\"noreferrer noopener\">Stuart Candy and Kelly Karnet, \u201cAn Introduction to Ethnographic Experiential Futures\u201d in Design and Futures, (Taipei: Tamkang U Press, 2019).<\/a><\/p><p>In addition to reading Stuart Candy and Kelly Karnet\u2019s article, I listened to a\u00a0<a href=\"https:\/\/podcasts.apple.com\/ie\/podcast\/speculative-design-designing-for-justice-design-research\/id1376884817?i=1000441106047\" target=\"_blank\" rel=\"noreferrer noopener\">podcast episode<\/a>\u00a0on speculative design for justice featuring designer Alix Gerber. In response to Michael Brown\u2019s murder, one of her projects entailed interviewing activists and residents of St. Louis and Ferguson, MO, on how communities could be kept safe without policing. The purpose of her project was to provoke conversation about morality, community, and the role of government. Gerber (perhaps unknowingly) used the EXF framework to generate 4 potential futures: mapping people\u2019s images of the future, creating alternative future scenarios, translating these ideas into representations, mounting the possible scenario representations, then opening a discussion about the findings.<\/p>\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-426\" src=\"https:\/\/gd573fall2022.files.wordpress.com\/2022\/09\/image-7.png?w=1024\" alt=\"\" width=\"3016\" height=\"1325\" data-attachment-id=\"426\" data-permalink=\"https:\/\/gd573fall2022.wordpress.com\/2022\/09\/25\/liz-chen-week-06\/image-7\/\" data-orig-file=\"https:\/\/gd573fall2022.files.wordpress.com\/2022\/09\/image-7.png\" data-orig-size=\"3016,1325\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"image-7\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/gd573fall2022.files.wordpress.com\/2022\/09\/image-7.png?w=300\" data-large-file=\"https:\/\/gd573fall2022.files.wordpress.com\/2022\/09\/image-7.png?w=1024\" \/><figcaption class=\"wp-element-caption\">Candy and Karnet (2019)<\/figcaption><\/figure><p>Gerber understands that policing is a systemic issue embedded with racism that be traced back to colonial America\u2019s \u201cslave patrol,\u201d and that as a designer, her ability to create actual change is limited.<\/p><p>My question is, with so many systemic-based social justice issues in the United States today,<strong>\u00a0how can designers use speculative design to provoke more conversations about decolonized, anti-racist, and\/or socialist futures? How can speculative design be used to spark conversations (or even action) for infrastructural change? Is it possible for designers to lobby for social change through ethnocentrically-provocative exercises?<\/strong><\/p><p><strong>2.<\/strong>\u00a0<a href=\"https:\/\/href.li\/?https:\/\/www.youtube.com\/watch?v=QbVHXrCBFBE\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Speculative Everything\u00a0<\/em><\/a>by Tony Dunne, Resonate 2013<\/p><p>I appreciate how Tony Dunne described Speculative Design as \u201cdesigning for how the world<em>\u00a0could be.<\/em>\u201d This \u2018anything is possible\u2019 mindset opens the door to aggregated creative pluralist futures.<\/p><p>To be honest, Prospectus For A Future Body\u2019s electronic muscle-movement experiment made me deeply uncomfortable \u2014 likely because of the awful noises the electronic currents made. It felt unethical, even though the participants likely consented to the experiment. A few thoughts:<\/p>\n<ul>\n<li>How would they be able to complete a dance performance with the loud electronic noises playing?<\/li>\n<li>Does the electricity impact their brain? I\u2019m aware that the idea of muscle movement is very different from electronic-shock therapy, but it still felt reminiscent of such.<\/li>\n<\/ul><p>I think my main discomfort with this project is the fact that the dancer loses bodily autonomy. It sparks an interesting debate around self-ownership and self-determination of human bodies \u2014\u00a0<strong>to what extent are the dancer\u2019s actions and movements their own? Does the ownership of their movements fall on the operator of the electronic currents? The choreographer of the dance?\u00a0<\/strong>Since they\u2019re recreating \u201cA Summer Storm\u201d by dancer Tasumi Hijikata, I would assume the conception of their movement is \u2018owned\u2019 by Hijikata, but the movement itself is owned by the operator of the tool. The dancer becomes a vehicle to which ideas (choreography\/movement) are expressed: The dancer is the medium and the choreography is the message.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1.\u00a0Stuart Candy and Kelly Karnet, \u201cAn Introduction to Ethnographic Experiential Futures\u201d in Design and Futures, (Taipei: Tamkang U Press, 2019).In addition to reading Stuart Candy and Kelly Karnet\u2019s article, I listened to a\u00a0podcast episode\u00a0on speculative [&hellip;]<\/p>\n","protected":false},"author":83,"featured_media":4821,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-4813","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-incidentals","entry-card--square"],"jetpack_featured_media_url":"https:\/\/academics.design.ncsu.edu\/yesand\/wp-content\/uploads\/2022\/11\/SpeculativeChange-1-01.png","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p86O3z-1fD","_links":{"self":[{"href":"https:\/\/academics.design.ncsu.edu\/yesand\/wp-json\/wp\/v2\/posts\/4813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/academics.design.ncsu.edu\/yesand\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/academics.design.ncsu.edu\/yesand\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/academics.design.ncsu.edu\/yesand\/wp-json\/wp\/v2\/users\/83"}],"replies":[{"embeddable":true,"href":"https:\/\/academics.design.ncsu.edu\/yesand\/wp-json\/wp\/v2\/comments?post=4813"}],"version-history":[{"count":1,"href":"https:\/\/academics.design.ncsu.edu\/yesand\/wp-json\/wp\/v2\/posts\/4813\/revisions"}],"predecessor-version":[{"id":4814,"href":"https:\/\/academics.design.ncsu.edu\/yesand\/wp-json\/wp\/v2\/posts\/4813\/revisions\/4814"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/academics.design.ncsu.edu\/yesand\/wp-json\/wp\/v2\/media\/4821"}],"wp:attachment":[{"href":"https:\/\/academics.design.ncsu.edu\/yesand\/wp-json\/wp\/v2\/media?parent=4813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/academics.design.ncsu.edu\/yesand\/wp-json\/wp\/v2\/categories?post=4813"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/academics.design.ncsu.edu\/yesand\/wp-json\/wp\/v2\/tags?post=4813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}